RIDDLE POSTS BY TAG: 'LATIN'

Commentary for Bern Riddle 3: De sale

NEVILLEMOGFORD

Date: Fri 18 Dec 2020
Matching Riddle: Bern Riddle 3: De sale

For this riddle, we turn to sodium chloride—or plain ol’ salt.

For the third riddle in a row, we are asked to work out who the father and the mother are in the opening lines. The father is probably the sun, who heats up the sea water, leaving a residue of salt. The mother is the sea water (aqua marina), who ‘gives away’ salt-marks with the ebbing tide. Thus, salt is the child of a curious marriage between two opposing elements—fire and water. The riddler may have also had an etymological connection in mind—according to Isidore, some people thought that sal (‘salt’) was derived from salum (“ocean”) and sol (“sun”) (Isidore, Etymologies, page 318).

Lines 3 and 4 play upon the dissolving and precipitating of salt in water—the Latin words used are solvere (‘to loosen’) and constingere (‘to tie up’) from which we get the modern words ‘solution’ and ‘constrict.’ The processes of binding and unbinding are often used in riddle descriptions, probably because they can also describe the process of composing (“binding”) and solving (“unbinding”) riddles. For example, the mousetrap in Bern Riddle 40 is described as soluta (“unbound”) when it is not set to catch mice.

Lines 5 and 6 focus on the usefulness of salt for humans. Salt was used extensively as a flavouring and as a food preservative for food during the Middle Ages. Cheeses, meats, fish, and many vegetables could all be salted and then stored for several weeks or even months. In a world without fridges, this made salt an indispensable resource for many communities, and so the salt industry and trade were extremely important. So much so, in fact, that this riddle tells us that a country cannot flourish without it. Salt was also used to prevent cadavers from swelling—and this explains the reference to the deceased in line 5.

This is certainly not the most original or inventive riddle in the Bern collection—it is not as playfully metaphorical or outlandishly weird as some of the others. But it does tell us a lot about the importance of salt in early medieval Europe. It also still manages to disguise its subject in some very creative ways… and no riddle worth its salt would do otherwise.

Salt 2
“Medieval salt.” Photo by Neville Mogford.

Notes:

References and Suggested Reading:

Isidore of Seville. The Etymologies of Isidore of Seville. Edited by Stephen A. Barney, W. J. Lewis, J. A. Beach and Oliver Berghof. Cambridge: Cambridge University Press, 2006.

Winferfeld, Paul. “Observationes criticalae.” Philologus vol. 53 (1899), pages 289-95.



Tags: latin  Bern Riddles 

Related Posts:
Bern Riddle 40: De muscipula

Commentary for Lorsch Riddle 3

NEVILLEMOGFORD

Date: Mon 07 Jun 2021
Matching Riddle: Lorsch Riddle 3

This cirrus-ly great riddle will have you on cloud nine, because it is bursting with great material.

Now that I have got the burning urge to pun out of my system, we can turn to the riddle itself! The last riddle was all about one wandering thing—the mind. This one is about another—a cloud. Just like last time, this riddle depends on the paradox of a thing that is both free and bound or imprisoned—this is a recurrent theme in Lorsch. On the one hand, the cloud is free to wander, lonely as a…erm, cloud. On the other, its movements are governed entirely by the winds.

Clouds were common topics for medieval riddlers. The seventh century churchman and poet, Aldhelm, wrote a riddle (No. 3) on the subject—it depicts the cloud as a sad exile who weeps rain across the world. He also mentions clouds in several other riddles. And the Bern riddles include at least one riddle—and possibly two—on the subject.

Cloud 10
”Cumulus clouds. Photo (by Joaquim Alves Gaspar) from Wikimedia Commons (licence: CC BY-SA 3.0)”

The riddle begins with the image of the evaporating water rising from the ocean to form clouds. The unusual verb velivolare (“to fly or sail speedily”) and the mention of the golden stars all contribute to a rather picturesque and ethereal image—in my mind’s eye, I see it as an ethereal scene from a Studio Ghibli film. The inclusion of the stars in this poetic landscape also helps to create a larger ecosystem of the heavens as a whole.

Eagle-eyed members of #LatinGrammarFanclub will have noticed that line 1 of my edition is slightly different to Glorie’s edition. He emended the manuscript aera (“air, the lower atmosphere”) to aethra (“the heavens, the upper atmosphere”), but there was no need, since aera is a regular accusative form of aer.

The freedom of the clouds to sail around the sky is rudely “checked” (vincere) in line three by the horrifera ventorum mole (“terrible power of the winds”). In an effort to escape this, the water escapes to sicca… terrarum terga (“the dry surface of the earth”). The word resolvens (“releasing, unbinding, resolving”) describes how the rain frees itself from the wind’s power as rain, but it also plays on the idea of solving and resolving riddles. The words solvere and resolvere occur frequently in medieval riddles—they operate as a kind of meta-vocabulary, linking the actions described in the riddle to the way that a riddle is read. For some other examples of this, see my commentaries on Bern Riddles 3 and 40.

Rain 10
”Rain! Photo (by Mohamed Hozyen) from Wikimedia Commons (licence: CC BY-SA 4.0)”

In line 6, the phrase ast tamen (“yet, nevertheless”) signals a change of focus from the natural to the human. The riddle explains that the raincloud is useful for humans, since it provides the waters required for populis spissam... messem (“a fat harvest for the people”). This reminds me of the rather excellent Bern Riddle 49, which describes humans’ contradictory feelings about rain.

Although it is perfectly acceptable to give this riddle the solution “cloud,” it is a miniature panorama of the water cycle. It depicts this using the established riddle tropes of freedom and restraint. Perhaps it is not the most unconventional riddle, but it is still enough to brighten up a rainy day.

Tags: latin 

Related Posts:
Exeter Riddle 39
Bern Riddle 3: De sale
Bern Riddle 40: De muscipula
Bern Riddle 55: De sole
Bern Riddle 60: De caelo

Bern Riddle 4: De scamno

NEVILLEMOGFORD

Date: Thu 26 Nov 2020
Matching Commentaries: Commentary for Bern Riddle 4: De scamno
Original text:
Mollibus horresco semper consistere locis,
Ungula nam mihi firma, si caute ponatur.
Nullum, iter agens, sessorem dorso requiro:
Plures fero libens, meo dum stabulo versor.
Nulla frena mihi mansueto iuveni pendas,
Calcibus et senem nolo me verberes ullis.
Translation:
I always dread to stand in squishy places,
for I have a firm hoof if it is carefully placed.
I do not need anyone to sit on my back when travelling:
I happily carry many while I dwell in my ‘stable.’
Do not hang bridles on me, tamed as a youth!
And as an oldie, I do not want you to kick me!
Click to show riddle solution?
Bench


Notes:

This edition is based on Karl Strecker, ed., Poetae Latini aevi Carolini, Vol. 4.2 (Berlin, MGH/Weidmann, 1923), page 739.

A list of variant readings can be found in Fr. Glorie, ed., Variae collectiones aenigmatum Merovingicae aetatis, Corpus Christianorum, Series Latina 133A (Turnhout: Brepols, 1968), page 550.



Tags: latin  Bern Riddles 

Lorsch Riddle 4

NEVILLEMOGFORD

Date: Thu 22 Apr 2021
Matching Commentaries: Commentary for Lorsch Riddle 4
Original text:
Me pater ex gelido generat dum tergore matris
Quamdiu horriferis ipsam complectitur halitis
Magna sub ingenti mihimet patre corpora surgunt,
Donec ipse prius fato terrente recedat
Aestibus aetheris sole vaporante fugatus.
Tunc ego morte cadens propriam progigno parentem,
Tempore post iterum haut multo gignenda per ipsam.
Translation:
While my father sires me from the icy skin of my mother,
as he surrounds her with terrible vapours,
huge bodies rise beneath my mighty father,
until he himself must soon retreat from a terrifying fate,
chased away by the sky’s heat as the sun burns.
Then, dying, I beget my own mother,
and I will soon be born to her again.
Click to show riddle solution?
Snow, ice


Notes:

This edition is based on Vatican City, Biblioteca Apostolica Vaticana, Palatinus latinus 1753, folio 115v. You can find images of this manuscript here.

“Hali[ti]s” (line 2) follows Dümmler, Ernst. Poetae Latini aevi Carolini. Volume 1, MGH. Berlin: Weidmann, 1881. Page 21.



Tags: latin 

Eusebius Riddle 4: De homine

ALEXANDRAREIDER

Date: Mon 27 Dec 2021
Original text:

Haec, mea materiae substantia, bina creata est:
Sed gravis una videtur, quae tamen ipsa peribit,
Cuius et ipse fugax defectum gessit helidrum.
Tenuior est alia, et quae semper sine fine carebit.

Translation:

This, my material essence, was created twofold:
Though one part seems heavy, it will yet perish,
And its failing the swift serpent brought about himself.
The other part is more delicate, and it will always be without end.

Click to show riddle solution?
On humankind


Tags: anglo saxon  riddles  latin  Eusebius 

Tatwine Riddle 4: De litteris

ALEXANDRAREIDER

Date: Wed 05 Jan 2022
Original text:

Dulcifero pia nos genitrix ditavit honore
Dulcia quod bibulis praestamus pocula buccis,
Tosta ministrantes nitidis et fercula mensis,
Sed tamen apta damus cunctis responsaque certa.
Littera tollatur, non fulget nominis ortus.

Translation:

Our pious mother enriched us with the sweet honour
That we provide sweet drinks to thirsty mouths,
Serving roasted food on polished tables,
And yet we give fitting and certain responses to all.
A letter is removed, and the beginning of our name does not shine.

Click to show riddle solution?
On letters


Tags: riddles  latin  Tatwine 

Aldhelm Riddle 4: Natura

ALEXANDRAREIDER

Date: Thu 10 Mar 2022
Original text:

Crede mihi, res nulla manet sine me moderante
Et frontem faciemque meam lux nulla videbit.
Quis nesciat dicione mea convexa rotari
Alta poli solisque iubar lunaeque meatus?

Translation:

Believe me, nothing exists without my controlling it
And no eye will see my face and brow. 
Who does not know that it is on my authority that the convex heights of heaven
And the glory of the sun and the passage of the moon are turned?

Click to show riddle solution?
Nature


Notes:

This edition is based on Rudolf Ehwald, ed. Aldhelmi Opera Omnia. Monumenta Germaniae Historica, Auctores Antiquissimi, 15. Berlin: Weidmann, 1919, pages 59-150. Available online here.



Tags: riddles  latin  Aldhelm 

Symphosius Riddle 4: Clavis

ALEXANDRAREIDER

Date: Fri 01 Jul 2022
Original text:

Virtutes magnas de viribus affero parvis.
Pando domos clausas, iterum sed claudo patentes.
Servo domum domino, sed rursus servor ab ipso.

Translation:

I bring great powers with little strength.
I open closed doors, and then I close the open ones.
I keep the house for the master, but in turn I am kept by him.

Click to show riddle solution?
Key


Notes:

This edition is based on Raymond T. Ohl, ed. The Enigmas of Symphosius. PhD dissertation, University of Pennsylvania, 1928.



Tags: riddles  solutions  latin  symphosius 

Commentary for Bern Riddle 4: De scamno

NEVILLEMOGFORD

Date: Fri 18 Dec 2020
Matching Riddle: Bern Riddle 4: De scamno

Imagine you are a lovely horse. You happily grow old in your stable, and you like to carry people on your back. But you don’t like being kicked, wearing bridles, or walking on soft ground. Then, one fateful day, you catch a glimpse of yourself in a mirror and—to your horror!—you discover that you aren’t a horse at all. You are… a wooden bench!

Horsebench
“A real-life horse-bench by the artist Lucy Casson.” Photo (by Neville Mogford) from Geograph (licence: CC BY-SA 2.0)

This is one of my all-time favourite riddles. It describes a stool or bench that thinks it is a horse. It begins by talking about soft or squishy places (mollibus locis), which makes one think of the difficulties that horses can have in marshy ground. The verb consistere (“to stand”) can also mean to harden or solidify, which seems to be the link with the previous riddle on salt.

So far, so horsey.

But then lines 3 and 4 complicate things, by describing a special kind of ‘horse’ who goes out riding without a human rider, and yet loves to carry people in the stable. Line 5 explains that the bench is tame, since it will never buck its rider, and yet obstinate, in that it does not accept a harness. The final line uses the idea of kicking a mature horse (it is unclear whether this refers to the use of the spurs of a form of animal abuse) to describe the damage that can be incurred on furniture from swinging heels.

Riddles like this one are all about seeing one thing as if it were another. Like all metaphors, they are based around common features. One can find this technique in all kinds of riddles from all kinds of places and periods. Among the most innovative examples I have come across recently are a modern Yorùbá riddle from western Africa that describes a road as a coffin and travellers as corpses (Akinyemi, page 37), an ancient Greek riddle that describes a flute as a ship and the fingers as sailors (The Greek Anthology, page 35, number 14), and a medieval Persian riddle that depicts a jar of beer as a beautiful woman (Seyed-Gohrab, page 30).

In the case of Bern Riddle 4, several common features are mentioned: horses and benches are both sat upon, they both have a ‘home’ inside etc. The most obvious similarity between the two—that horses and benches have four feet—is not mentioned. The riddle also mentions dissimilar features. These are used to reveal that the eccentric horse is actually a bench. In this way, the riddle is a little bit like an optical illusion such as the famous “duck-rabbit” image.

DuckRabbit
“Duck Rabbit. Image (by unknown) from Wikipedia Original from the 23rd October 1892 issue of Fliegende Blätter.”

Notes:

References and Suggested Reading:

The Greek Anthology, Books 13-16. Edited and translated by W. R. Paton, Vol. 5, Loeb Classical Library 86. Cambridge, Mass.: Harvard University Press, 1918, pages 25-108.

Akínyẹmí, Akíntúndé. Orature and Yorùbá Riddles. London: Palgrave-Macmillan, 2015.

Seyed-Gohrab, A. A. Courtly Riddles: Enigmatic Embellishments in Early Persian Poetry. Leiden: Leiden University Press, 2010.



Tags: latin  Bern Riddles 

Related Posts:
Bern Riddle 4: De scamno

Commentary for Lorsch Riddle 4

NEVILLEMOGFORD

Date: Mon 07 Jun 2021
Matching Riddle: Lorsch Riddle 4

As we all know, riddles are innately cool. So, it is no surprise that there are lots of medieval riddles about cool things like snow and ice. The late-antique riddler, Symphosius, wrote a riddle about ice (No. 10) that begins unda fui quondam (“I was a wave once…”). The Bern riddler wrote at least one, and probably two, riddles about ice. And the eighth century archbishop, Tatwine of Canterbury, wrote a very interesting riddle (No. 15) that describes snow, hail and ice as three short-lived sisters. There are non-Latin riddles too. The Old English Exeter Book Riddles 68 and 69 are almost certainly about ice. And the solution for a particularly outlandish Old Norse riddle (No. 25) from the Heithreksgátur is “a dead horse and dead snake riding on an ice-floe.”

Ice
”The underwater structure of an iceberg. Photo (by Andreas Weith) from Wikimedia Commons (licence: CC BY-SA 4.0)”

Our riddle begins with a sub-riddle, which challenges us to guess the identity of the ice’s parents. This is very common for ice-themed riddles: Tatwine does something similar in his riddle, as does the Bern riddler. It seems likely that the mother is water (aqua) and the father is either “cold” (gelus) or “winter” (hiems), just as in Bern Riddle 38.

In line 2, the manuscript gives horriferis… halis (“with terrible toes”), which doesn’t seem right! Dümmler’s MGH edition emends this to horriferis… hal[it]is (“with terrible vapours or breath”) and Glorie’s edition emends this to horriferis… alis (“with terrible wings”). I find Dümmler’s version more plausible—the “breath” of the father is the “breath” of cold, which “surround” or “embraces” (complecti) the water to turn it into ice. The riddler may also have had in mind the image of a father with terrible breath embracing his female partner.

At this point, I need to sound the innuendo alert! Line 3 describes the growing mass of ice as magna… corpora (“huge bodies”) which “rise up” (surgunt) beneath the father. However, these bodies chased away by the sun in lines 4 and 5. As the melting ice dies, she tells us that she will later give birth to her mother again. This kind cyclic “I create my own parent” motif—along with its incestuous implications—is a medieval riddling commonplace. In fact, Bern Riddle 38 uses something very similar to describe ice too. Did the Lorsch riddler know the Bern riddle, or vice versa? The way icy it, the answer is quite possibly yes!

Notes:

References and Suggested Reading:

Dümmler, Ernst. Poetae latini aevi Carolini. Volume 1. MGH. Berlin: Weidmann, 1881. Page 21.

Fr. Glorie (ed.). “Aenigma Laureshamensia” in Tatuini Opera Omnia. Corpus Christianorum Series Latina 133. Turnholt: Brepols, 1958. Page 348.

Tatwine of Canterbury. “Aenigma 15.” In Fr. Glorie (ed.). Variae collectiones aenigmatum Merovingicae aetatis. Corpus Christianorum, Series Latina 133. Turnhout: Brepols, 1968, Page 182.



Tags: latin 

Related Posts:
Exeter Riddles 68 and 69
Bern Riddle 38: De glacie
Bern Riddle 42: De glacie

Bern Riddle 5: De mensa

NEVILLEMOGFORD

Date: Thu 26 Nov 2020
Matching Commentaries: Commentary for Riddle 5: De mensa
Original text:
Pulchra mater ego natos dum collego multos,
Cunctis trado libens quicquid in pectore gesto,
Oscula nam mihi prius qui cara dederunt,
Vestibus exutam turpi me modo relinquunt.
Nulli sicut mihi pro bonis mala redduntur:
Quos lactavi, nudam me pede per angula versant.
Translation:
A beautiful mother when I gather up many sons,
I happily give everyone whatever I am carrying in my breast,
for they who once gave dear kisses to me
now shamelessly abandon me, stripped of my clothes.
No one is repaid for good with bad as I am;
Those I have suckled tip me over by my foot, naked, in the corner.
Click to show riddle solution?
Table


Notes:

This edition is based on Karl Strecker, ed., Poetae Latini aevi Carolini, Vol. 4.2 (Berlin, MGH/Weidmann, 1923), page 739.

Line 6 follows the preferred reading in Fr. Glorie, ed., Variae collectiones aenigmatum Merovingicae aetatis, Corpus Christianorum, Series Latina 133A (Turnhout: Brepols, 1968), page 551.



Tags: latin  Bern Riddles 

Lorsch Riddle 5

NEVILLEMOGFORD

Date: Thu 22 Apr 2021
Matching Commentaries: Commentary for Lorsch Riddle 5
Original text:
Lucidus et laetus, quinis considere ramis
Saepe solent pariter splendentes, laeta iubentes
Aedibus in mediis fieri non tristia corda.
Dumque simul ludunt ramisque tenentur apertis,
Dulcia quin bibulis tradunt et bassia buccis,
Multifer egreditur tantumque remanet adhaerens
Lucidus in ramis, quibus antea sedit uterque.
Translation:
Happy and bright, the shining one
often sits with five limbs, demanding that joyful hearts
do not become sad in public halls.
And when, at the same time, it plays and is held in open limbs,
and even gives sweet delights and kisses to thirsty mouths,
the fruitful departs and only a gleaming residue remains in the limbs,
where the other sat earlier.
Click to show riddle solution?
Wine, wine cup


Notes:

This edition is based on Vatican City, Biblioteca Apostolica Vaticana, Palatinus latinus 1753, folio 117r. You can find images of this manuscript here.

“Multicer” > “multifer” (line 6) and “[ut]erque” (line 7) follow Dümmler, Ernst. Poetae Latini aevi Carolini. Volume 1, MGH. Berlin: Weidmann, 1881. Page 22.



Tags: latin 

Eusebius Riddle 5: De caelo

ALEXANDRAREIDER

Date: Mon 27 Dec 2021
Original text:

Quaerite vos ipsi causam quo vendor avaris. (1)
Si me quique tenet nunc, postea semper habebit;
Meque tenere tenax terrae sublime nequibit,
Cum me nullus habet nisi qui fuit imus in illa. (2)

Translation:

Ask yourselves the reason why I am sold by the greedy.
If anyone holds me now, he will have me forever after;
And whoever clings to the earth will not be able to keep me on high,
Though no one has me unless he was lowest in that place.

Click to show riddle solution?
On heaven


Notes:

(1) The manuscript, CUL Gg.5.35, reads in arvis (on earth).
(2) The manuscript, CUL Gg.5.35, titles this riddle De camelo (On the camel)!



Tags: anglo saxon  riddles  latin  Eusebius 

Tatwine Riddle 5: De membrano

ALEXANDRAREIDER

Date: Wed 05 Jan 2022
Original text:

Efferus exuviis populator me spoliavit.
Vitalis pariter flatus spiramina dempsit,
In planum me iterum campum sed verterat auctor.
Frugiferos cultor sulcos mox irrigat undis.
Omnigenam nardi messem mea prata rependunt,
Qua sanis victum et lesis praestabo medelem.

Translation:

A savage destroyer despoiled me of my garments.
At the same time, he removed the holes for life-giving breath,
But an author turned me into a level field again.
Soon the cultivator irrigates my fruitful furrows with waves.
My meadows return an abundant harvest of nard, 
With which I shall supply food to the healthy and cure to the hurt.

Click to show riddle solution?
On parchment


Tags: riddles  latin  Tatwine 

Aldhelm Riddle 5: Iris

ALEXANDRAREIDER

Date: Thu 10 Mar 2022
Original text:

Taumantis proles priscorum famine fingor,
Ast ego prima mei generis rudimenta retexam:
Sole ruber genitus sum partu nubis aquosae;
Lustro polos passim solos, non scando per austros.

Translation:

I am thought of as the offspring of Thaumas in the writings of the ancients,
But I shall recount the first beginnings of my origin:
Red, I was born from the sun through a watery cloud’s production;
I illuminate empty skies everywhere; I do not climb through the winds.

Click to show riddle solution?
Rainbow


Notes:

This edition is based on Rudolf Ehwald, ed. Aldhelmi Opera Omnia. Monumenta Germaniae Historica, Auctores Antiquissimi, 15. Berlin: Weidmann, 1919, pages 59-150. Available online here.



Tags: riddles  latin  Aldhelm 

Symphosius Riddle 5: Catena

ALEXANDRAREIDER

Date: Fri 01 Jul 2022
Original text:

Nexa ligor ferro, multos habitura ligatos;
Vincior ipsa prius, sed vincio vincta vicissim;
Et solvi multos, nec sum tamen ipsa soluta.

Translation:

I am bound, tied by iron, and can bind many;
I myself am bound first, but I bind the bound in turn;
And I release many, yet am not myself released.

Click to show riddle solution?
Chain


Notes:

This edition is based on Raymond T. Ohl, ed. The Enigmas of Symphosius. PhD dissertation, University of Pennsylvania, 1928.



Tags: riddles  solutions  latin  symphosius 

Commentary for Riddle 5: De mensa

NEVILLEMOGFORD

Date: Fri 18 Dec 2020
Matching Riddle: Bern Riddle 5: De mensa

Turn all her mother's pains and benefits
To laughter and contempt, that she may feel
How sharper than a serpent's tooth it is
To have a thankless child.
William Shakespeare, King Lear, Act 1, Scene 4 (lines 278-81).

The pages of English literature are filled with stories of put-upon parents and their thankless children. But I doubt that there are any other examples where the parent has four legs and is made of wood. This innovative riddle transforms the description of a dining table into a tragic lament about filial ingratitude—the human “children” greedily use the table for dinner, before clearing it and putting it away.

Riddle 5 is the first Bern riddle where the parent is speaking, rather than the children—and her speech is laced with emotion. Just as Bern Riddle 4 made us sympathise with the poor bench who is kicked, so Bern Riddle 5 makes us feel sorry for the neglected table, whose fond memories of her infant children contrast with the undeserved abuses that they now heap upon her.

According to Mercedes Salvador-Bello (pages 222-4), the riddle plays upon an established literary tradition of personifying wisdom as a breastfeeding mother. Similar tropes appear in several other riddles. Perhaps the earliest example is found in the Pseudo-Bedean Collectanea, an early medieval collection of 388 texts of different kinds, which probably dates from the eighth century.

Dic mihi, quaeso, quae est illa mulier, quae innumeris filiis ubera porrigit, quae quantum sucta fuerit, tantum inundat?
Tell me please—who is the mother who offers her breasts to innumerable children, and who gives flow as much as she is sucked?
Collectanea Pseudo-Bedae, page 122.

The answer is sapientia (“wisdom”), who offers the milk of knowledge that her “children” need for their intellectual growth.

Nursing Madonna
“The Nursing Madonna by Bartolomeo Vivarini (c. 1450). Photograph (by Sailko) from Wikipedia Commons(licence: CC BY 3.0)

Depictions of wisdom as a breastfeeding mother appear in several early Irish texts from the 7th and 9th centuries, as well as in another riddle from the 11th, the Bibliotheca magnifica de sapientia collection (Salvador-Bello, pages 216-221). Other riddles play with the motif in different ways. For example, in his riddle on terra (“earth”), Aldhelm depicts the soil as a “nursemaid” (altrix) who feeds all the world (Aldhelm Riddle 1). But the closest analogue to Bern Riddle 5 is another table riddle, Tatwine Riddle 29. Tatwine depicts his table in a similar way—as a generous, well-dressed lady who is stripped and robbed, and whose nudata… membra (“naked limbs,” line 5) are left behind. However, in Tatwine’s riddle, the woman seems to be depicted as a prostitute rather than a nursemaid (Salvador-Bello, page 223-4).

The meaning of the last line is slightly uncertain. Firstly, does “per angula” mean that the children tip their mother on her side or in a corner? Secondly, does “nudata me pede… versant” mean that the table was completely naked (“they tipped me over, naked, by foot”) or merely barefoot (“they turned me over, naked in foot”)? Fortunately, these different readings do not affect the meaning too much.

So, there you have it. Riddles love ideas of overthrow and change, and this one is no exception. The table-mother rears her children with kindness, but they soon grow up and the tables are turned—literally!

Notes:

References and Suggested Reading:

Röösli, Samuel. “The Pot, the Broom, and Other Humans: Concealing Material Objects in the Bern Riddles.” In Secrecy and Surveillance in Medieval and Early Modern England. Edited by Annette Kern-Stähler & Nicole Nyffenegger. Swiss Papers in English Language and Literature (SPELL), Vol. 37 (Tübingen: Gunter Narr Verlag, 2020), pages 87-104.

Salvador-Bello, Mercedes. “The Nursemaid, the Mother, and the Prostitute: Tracing an Insular Riddle Topos on Both Sides of the English Channel” in Riddles at Work in the Early Medieval Tradition: Words, Ideas, Interactions. Edited by Megan Cavell and Jennifer Neville. Manchester: Manchester University Press, 2020.

Shakespeare, William. King Lear. Edited by R. A. Foakes. London: The Arden Shakespeare, 1997.

Collectanea Pseudo-Bedae. Edited by Martha Bayless and Michael Lapidge. Scriptes Latini Hiberniae Vol. XIV. Dublin: Dublin Institute for Advanced Studies, 1998.



Tags: latin  Bern Riddles 

Related Posts:
Bern Riddle 5: De mensa

Commentary for Lorsch Riddle 5

NEVILLEMOGFORD

Date: Mon 07 Jun 2021
Matching Riddle: Lorsch Riddle 5

I wanted to introduce this riddle with an appropriate pun, but unfortunately it was in very pour taste. That’s because the solution is a cup, probably of wine.

As with many of the Lorsch riddles, the subject is not a particularly original one. The eighth century churchman and poet, Aldhelm, wrote a riddle on a cup (Riddle 80). Cups also appear as solutions in Bern Riddle 6) and probably Exeter Book Riddles 11 and 59 too. Riddles on wine include Symphosius Riddles 82 and 83, Bern Riddles 13 and 63, and Aldhelm Riddle 78.

Monkwine
“A monk drinking wine, from the late 11th century/early 12th century Tiberius Psalter (London, British Library, Cotton MS Tiberius C VI, folio 5v).” Photograph from The British Library Digitalised Manuscripts (copyright: British Library).

Interestingly, this is one of only two Lorsch riddle that are written in the third person—the other is Riddle 7. #LatinGrammarFanclub members will have noticed that although these adjectives are singular, all subsequent nouns, verbs, and adjectives are in the plural. In my translation, I have rendered this “poetic plural” in the singular.

The riddle begins by describing the cup as lucidus (“clear, glorious”) and laetus (“happy, luxuriant”), as it takes on the persona of the drinker. It is as if the wine cup is the life of the party! It “often sits with five limbs” (saepe solent quinis considere ramis)—this does not describe the creature’s arms and legs, but rather the five digits of the hand that hold it. This seems to be a variant of a common riddle motif that describes the fingers used for writing and other activities as three mysterious creatures—I mention this in my commentary on Bern Riddle 25. As with other alcohol riddles, there is a sense that the drink is always in command, even as it is held in the hand. The wine “commands” or “demands” (iubrere) drinkers to be joyous, when aedibus in mediis, literally “in public houses or halls.” Sadly, I am writing this commentary in the middle of the COVID-19 pandemic, so I haven’t visited one of these places for quite some time. Even though I rarely drink alcohol, I am very jealous of the cup right now!

Nunwine
“A nun drinking wine, from Hieronymus Bosch’s early 16th century masterpiece, The Haywain Triptych.” Photograph (by the Bosch Project) from Wikimedia Commons (public domain).

We saw that Lorsch Riddles 2 and 3 juxtaposed the images of freedom and capture to create apparent paradoxes. Line 4 does something similar, telling us that the cup “plays” (ludere) and yet is also “held” (teneri). It then goes on to describe drinking as kissing—this is another common trope in early medieval riddles. The riddle’s use of quin (“even”) suggests that this is intended to be mildly salacious and risqué, with the sense of “he even kisses people!”

The tone changes notably in lines 6 and 7, when the cup’s draught has been drained, and tantumque remanet adhaerens / lucidus in ramis (“only a gleaming residue remains on the limbs”). The tone is an unmistakably nostalgic one—in a similar way, when all the joy of the party has passed, only glorious memories remain… and for those who have overdone it, a hangover too!

Tags: latin 

Related Posts:
Commentary for Exeter Riddle 11
Exeter Riddle 59
Bern Riddle 6: De calice
Bern Riddle 13: De vite
Bern Riddle 63: De vino

Bern Riddle 6: De calice

NEVILLEMOGFORD

Date: Thu 26 Nov 2020
Matching Commentaries: Commentary for Bern Riddle 6: De calice
Original text:
Nullus ut meam lux sola penetrat umbram
Et natura vili miros postpono lapillos.
Ignem fero nascens, natus ab igne fatigor.
Nulla me putredo tangit nec funera turbant:
Pristina defunctus sospes in forma resurgo
Et amica libens oscula porrego cunctis.
Translation:
No one penetrates my shadow like light does,
and, cheap by nature, I have no time for wondrous gems.
Being born, I carry fire. Once born, fire wears me out.
No rottenness affects me, nor do funerals upset me.
When dead, I rise again, unharmed and in a pristine form,
and I willingly offer friendly kisses to all.
Click to show riddle solution?
Cup


Notes:

This edition is based on Karl Strecker, ed., Poetae Latini aevi Carolini, Vol. 4.2 (Berlin, MGH/Weidmann, 1923), page 739.

Lines 1 and 4 follow the preferred reading in Fr. Glorie, ed., Variae collectiones aenigmatum Merovingicae aetatis, Corpus Christianorum, Series Latina 133A (Turnhout: Brepols, 1968), page 552.



Tags: latin  Bern Riddles 

Lorsch Riddle 6

NEVILLEMOGFORD

Date: Thu 22 Apr 2021
Matching Commentaries: Commentary for Lorsch Riddle 6
Original text:
Nubibus e tetris vidi dilabere quendam.
Ipsa velox cecidit super ardua tecta domorum.
Mollis erat visu necnon lenissima tactu,
Inde cadens iosumque cavavit leniter asprum.
Dura super terram sibimet qui terga cadenti
Praebuit, infixus terrae stabilisque manendo.
Translation:
I saw a certain thing melt from terrible clouds.
It fell quickly over the lofty roofs of houses.
It looked soft and it also felt very smooth,
and then, falling, it softly covered a rugged landscape.
As it fell, it showed itself to be a hard covering over the earth,
firm and fastened to the earth while it lasts.
Click to show riddle solution?
Snow


Notes:

This edition is based on Vatican City, Biblioteca Apostolica Vaticana, Palatinus latinus 1753, folio 117r. You can find images of this manuscript here.

“Dura su[per] [t]erram” (line 5) follows Dümmler, Ernst. Poetae Latini aevi Carolini. Volume 1, MGH. Berlin: Weidmann, 1881. Page 22.



Tags: latin 

Eusebius Riddle 6: De terra

ALEXANDRAREIDER

Date: Mon 27 Dec 2021
Original text:

Quos alo—nascentes, crescentes—scindor ab illis,
Pascunturque bonis, etsi me calce subigunt;
Unde seducam nunc multos et supprimo natos,
Nam perdent quod amant, et nulli morte carebunt.

Translation:

I am torn apart by those whom—as they are born and grow—I feed,
And they are nourished on good things, even though they subjugate me under foot;
And so I now restrain many of my children and press them down,
For they will lose what they love, and none will escape death.

Click to show riddle solution?
On the earth


Tags: riddles  latin  Eusebius 

Tatwine Riddle 6: De penna

ALEXANDRAREIDER

Date: Wed 05 Jan 2022
Original text:

Nativa penitus ratione, heu, fraudor ab hoste,
Nam superas quondam, pernix, auras penetrabam.
Vincta tribus, nunc, in terris persolvo tributum.
Planos compellor sulcare per aequora campos.
Causa laboris amoris tum fontes lacrimarum
Semper compellit me aridis infundere sulcis.

Translation:

I am, alas, completely defrauded of my native essence by an enemy,
For formerly, swift, I used to pierce the upper winds.
Now, I pay tribute, bound by three things on earth.
I am compelled to plow level fields through the plains.
Then the cause of my labour of love always compels me
To pour onto the arid ditches fountains of tears.

Click to show riddle solution?
On the pen


Tags: riddles  latin  Tatwine 

Aldhelm Riddle 6: Luna

ALEXANDRAREIDER

Date: Thu 10 Mar 2022
Original text:

Nunc ego cum pelagi fatis communibus insto
Tempora reciprocis convolvens menstrua cyclis:
Ut mihi lucifluae decrescit gloria formae,
Sic augmenta latex redundans gurgite perdit.

Translation:

Now I am present at the commonplace fate of the sea, 
Causing monthly stages with alternating cycles:
For as the glory of my shining shape decreases, 
Thus does the overflowing sea lose its swells in the water.

Click to show riddle solution?
Moon


Notes:

This edition is based on Rudolf Ehwald, ed. Aldhelmi Opera Omnia. Monumenta Germaniae Historica, Auctores Antiquissimi, 15. Berlin, Weidmann, 1919, pages 59-150. Available online here.



Tags: riddles  latin  Aldhelm 

Symphosius Riddle 6: Tegula

ALEXANDRAREIDER

Date: Fri 01 Jul 2022
Original text:

Terra mihi corpus, vires mihi praestitit ignis;
De terra nascor, sedes est semper in alto;
Et me perfundit, sed me cito deserit, umor.

Translation:

Earth gave me body, fire gave me strength;
From the land I am born, my seat is always on high;
And moisture floods me, but quickly leaves me.

Click to show riddle solution?
Roof-tile


Notes:

This edition is based on Raymond T. Ohl, ed. The Enigmas of Symphosius. PhD dissertation, University of Pennsylvania, 1928.



Tags: riddles  solutions  latin  symphosius 

Commentary for Bern Riddle 6: De calice

NEVILLEMOGFORD

Date: Mon 11 Jan 2021
Matching Riddle: Bern Riddle 6: De calice

“Hold me now. La, la, la, la!” Often, when I am writing on a particular theme, a song starts playing over and over in my head. My internal soundtrack for this commentary has been the 1983 hit, “Hold Me Now,” by The Thompson Twins. And it is a very fitting song, since this is the first of three riddles that are all about things that hold other things—that is to say, containers!


This riddle is all about a cup. Cups are a common riddle topic—they also feature in the Lorsch (Riddle 5) and Aldhelm (Riddle 80) riddles, and possibly the Exeter Book riddles too (Riddle 63). In the Early Middle Ages, cups and goblets were generally made from wood. Those made from glass or metal were luxury items at the upper end of the market.

Glassmaking was a highly specialist skill in early medieval Europe, just as it is today. There is plenty of archaeological and textual evidence for glassmaking in 7th and 8th century England—religious hubs such as Glastonbury Abbey were also early centres for glass production, and several sources mention the emigration of glassmakers from the continent during this period (Broadley, pages 1-7).

Several centres of glassmaking existed in medieval northern Italy, with Venice being the most notable. Some of the earliest evidence for Venetian glassmaking comes from the excavation of a 9th century glass factory on the Venetian island of Torcello. Glass droplets and smashed crucibles were found, alongside what may have been a furnace—the glass was produced by fusing silica with natron (a naturally occurring mix of soda ash and other minerals) imported from the Middle East (Whitehouse, pages 76-7).

Glass 1
“Glassware from Trieste, 7th-9th century. Photograph (by Giovanni Dall'Orto) from Wikipedia Commons

The cup in our riddle is made from translucent glass, as made clear by lines 1 and 2—it isn’t decorated with gems, as some expensive metal goblets or chalices might be. Line 3 refers to the melting of silica (i.e. sand or limestone) in a furnace to produce molten glass. It also notes that fire-damaged glass will fracture easily.

Lines 4 to 6 are particularly fun, because they describe the cup as a kind of amorous zombie who kisses everyone. They begin by explaining that the cup cannot rot (unlike wooden cups), and that the cup does not care about death. They then go on to talk about the cup’s own death and resurrection—perhaps with the Christian idea of the resurrection of Jesus in mind. The word defunctus means “dead,” but also “used up’ or “finished.” Thus, the cup that has been finished will be raised again when it is reused. This reminds me of when I worked in a pub—when I cleared the bar, I would ask drinkers if their nearly empty glasses were “dead.” Alternatively, defunctus alludes to the practice of melting down and reusing discarded glass (see Wickham, page 702). The riddle closes with the once-dead object offering kisses. Figurative kissing appears in several Bern riddles, including nos. 5, 35, 42, and 46. In this case, kissing is a metaphor for drinking.

Zombie Love
“Two zombies kissing. Photograph (by Jeremy Keith) from Wikipedia Commons(licence: CC BY 2.0)

So there we have it. Time and time again, the Bern Riddles show how a few lines about an everyday object can hold the most extraordinary ideas. Next time you drinking from a cup, remember that you are also kissing a zombie.

Notes:

References and Suggested Reading:

Broadley, Rose. The Glass Vessels of Anglo-Saxon England c. AD 650-1100. Oxford: Oxbow, 2017.

Whitehouse, David. “The "Proto-history" of Venetian Glassmaking.” In Neighbours and Successors of Rome: Traditions of Glass Production and use in the Later First Millenium AD. Edited by Daniel Keller, Jennifer Price and Caroline Jackson. Oxford: Oxbow, 2014.

Wickham, Chris. Framing the Early Middle Ages: Europe and the Mediterranean, 400-800. Oxford: Oxford University Press, 2005. pages 728-741



Tags: latin  Bern Riddles 

Related Posts:
Exeter Riddle 63
Bern Riddle 6: De calice
Bern Riddle 7: De vesica
Bern Riddle 8: De ovo